THE MERCURY CINEMA

The Mercury and Iris Cinemas are run by the Media Resource Centre to enhance screen culture and to give screening opportunities to emerging South Australian film, video and digital media artists.

Cinemas are also available for hire. For more information CLICK HERE.

CONTACT
Venue & Events Manager, Aaron Schuppan e-mail  

Exhibition Manager, Mathew Kesting e-mail
Ph. (08) 8410 0979

This webpage is a work in progress - comments?


CLICK HERE FOR THE LATEST MERCURY CINEMA CALENDAR!

 

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TICKET SALES

Call 8410 0979 9-5:30 Mon to Fri with you credit Card handy.
Call into the MRC 13 Morphett St Adelaide (behind the Mercury) 8-5:30 Mon-Fri
Buy tickets at the box office from one hour prior to the advertised screening time.

 

MERCURY for hire

The Mercury and Iris Cinemas are available for hire. We offer highly competitive rates for your screening, conference, lecture or party. We can screen just about anything from 35mm CinemaScope to your Powerpoint or web based presentation. AND we can look after your catering and liquor requirements with the minimum of fuss!

sponsors

Government Sponsors

SAFC

ArtsSA

AFC

Sponsor

Barossa Valley Brewing

SCREENINGS CINEMATHEQUE CINEMA HIRE ARCHIVE ABOUT US MRC

Artists on Artists

Adelaide Cinematheque 2010

15 -25 November

Transposing the milieu and life-experiences of visual artists onto film can be fraught with danger. Beyond exploitative or superficial bio-pics, these films by fellow artists, often working with limited budgets, succeed in illuminating the creative spirit and times of some of the most influential artists on contemporary art and art-practice.

POLLOCK || BASQUIAT || CARAVAGGIO || LOVE IS THE DEVIL

 

7:30pm Monday 15 November

POLLOCK (MA15+)

    

DIR: ED HARRIS
US 2000 122mins 35mm
Abstract expressionist Jackson Pollock (1912–1956) was one of the most controversial and ground-breaking artists of the mid-20th Century. An alcoholic whose tortured life wrought major changes in post-WWII art, his work remains vital and contentious to this day. Actor and director Ed Harris delivers a nuanced performance as America’s first ‘art star’. Ably supported by Marcia Gay Hardan as Pollock’s wife and fellow artist Lee Krasner in her Oscar-winning performance.

WINNER Oscar best supporting actress (Marcia Gay Hardan) 2001


7:30pm Thursday 18 November

Basquiat (M)

  

DIR: JULIAN SCHNABEL
US 1996 108mins 35mm
Jean-Michel Basquiat (1960–1988) rose from being a teenage graffiti artist to a celebrity of the international art scene in only a few short years. His Neo-expressionist art would capture the imagination of some of the art scene’s leading lights, but his heroin addiction would cut his life short. Painter/director Julian Schnabel vividly captures the Eighties New York art scene. Jeffrey Wright as Basquait, David Bowie as Andy Warhol (wearing real Andy wigs) and Schnabel slyly inserts himself in the guise of Gary Oldman.

 

7:30pm Monday 22 November

Caravaggio (M)

  

DIR: DEREK JARMAN
UK 1986 93mins 35mm
Renaissance painter Caravaggio’s (1571–1610) wild and tempestuous life splashes across the screen with all the vitality and stylishness of his work. Trapped in a love triangle he finds escape in the creation of both a new artistic style and his own legend. Director Derek Jarman takes to his subject with all the relish we’d expect from him, while Tilda Swinton makes her cinematic debut. Print courtesy of the Non-theatrical Loans Catalogue

Listed in 1001 Movies You Must See Before You Die


7:30pm Thursday 25 November

Love is the devil (Ma15+)

    

DIR: JOHN MAYBURY
UK/FRANCE/JAPAN 1998 90mins 35mm
Francis Bacon (1909–1992 ), widely regarded as the best British painter since Turner once said that he lived his life ‘between the gutter and the Ritz’. A heavy drinker and a gambler, Bacon suffered through tormented relationships, most notably with his lover and muse George Dyer. With a striking resemblance to the artist, Derek Jacobi along with Daniel Craig as Dyer give outstanding performances. Bernardo Bertolluci acknowledged Bacon’s imagery as a major influence on the eroticism of Last Tango in Paris.