The Mercury and Iris Cinemas are run by the Media
Resource Centre to enhance screen culture and to give screening
opportunities to emerging South Australian film, video and digital
media artists.
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TICKET SALES
Call 8410 0979 9-5:30 Mon to Fri with you credit Card handy.
Call into the MRC 13 Morphett St Adelaide (behind the Mercury) 8-5:30 Mon-Fri
Buy tickets at the box office from one hour prior to the advertised screening time.
The Mercury and Iris Cinemas are available for hire.
We offer highly competitive rates for your screening, conference,
lecture or party. We can screen just about anything from 35mm
CinemaScope to your Powerpoint or web based presentation. AND we can
look after your catering and liquor requirements with the minimum of
fuss!
A world of smoky clubs, endless nights and creative visionaries, the story of jazz is one of the most interesting stories in musical history. Starting with Jean Bach’s portrait of a famous day in 1958, and finishing with the Oscar-winning story of a troubled mind in Paris by Bertrand Tavernier, this film focus delves into a genre born of some of the most influential minds of the 21st century.
DIR: JEAN BACH
US 1994 60mins 4K
On a summer’s morning in 1958, 57 of the most influential
jazz musicians to have lived arrived on 126th Street, Harlem,
to be photographed by a young freelance art director, Art
Kane. The photo that was created became an important
piece of history, and the cornerstone of this heartfelt and
candid documentary. Snippets of the musicians in action, as
well as footage taken on the day of the photo shoot, blend
perfectly with interviews which capture a close-knit musical
community, still true to its roots.
7:30pm Thursday 21 October
BIRD (M)
DIR: CLINT EASTWOOD
US 1988 160mins 4K
Eastwood proves his ability as director in an honest and
moving representation of pioneering jazzman Charlie ‘Yardbird’ Parker. The world of 52nd street, Manhattan,
comes to life as we are taken on a journey from Parker’s
humble beginnings as a youngster on the jazz scene, to his
relationship with the beautiful and dedicated Chan, through
to his struggle with drug addiction and the decline of his
successful career. Parker’s dedication to his music in turn
had a permanent impact on the sound of jazz music for
generations to come. For the score, Eastwood used Parker’s
original solos and had the backing tracks recorded to fit.
WINNER Best Actor (Forest Whitaker) Cannes Film Festival 1988
WINNER Oscar for Best Sound 1989
7:30pm Monday 25 October
THELONIOUS MONK: STRAIGHT NO CHASER (G)
DIR: CHARLOTTE ZWERIN
US 1988 90mins 4K
Containing some of the most valuable jazz sequences ever
captured on film, this biopic reveals to us the importance
of jazz great Thelonious Monk not only as a pianist but as
a composer as well. As mystical and off-centre as a human
as his music was in the smoky jazz clubs of the 1950s and
1960s, Monk is seen as the father of the avant-garde jazz
movement, as well as the inventor of bebop. Interviews with
relatives, close friends and other jazz greats accompany
footage originally shot in the late 1960s which re-surfaced
fifteen years later in the early 1980s.
7:30pm Thursday 28 October
'ROUND MIDNIGHT(M)
DIR: BERTRAND TAVERNIER
US/FRANCE 1986 131mins 4K
Touted as one of the best jazz films ever to be made, ‘Round
Midnight tells the story of troubled American jazz musician
Dale Turner (played by real life jazz legend Dexter Gordon).
Turner moves to Paris in search of musical recognition and
a humanity which is not based on the colour of his skin.
A young man obsessed by Turner’s music attempts to help
him out of his drug-inflicted despair, and through one fan’s
compassion Turner is reunited with what matters most in
his life: his music and his family.
WINNER Oscar Best Original Score (Herbie Hancock) 1987