THE MERCURY CINEMA

The Mercury and Iris Cinemas are run by the Media Resource Centre to enhance screen culture and to give screening opportunities to emerging South Australian film, video and digital media artists.

Cinemas are also available for hire. For more information CLICK HERE.

CONTACT
Operations Manager, Jeremy Chance e-mail  

Exhibition Manager, Toby Bramwell e-mail
Ph. (08) 8410 0979

This webpage is a work in progress - comments?


CLICK HERE FOR THE LATEST MERCURY CINEMA CALENDAR!

 

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TICKET SALES

Call 8410 0979 9-5:30 Mon to Fri with you credit Card handy.
Call into the MRC 13 Morphett St Adelaide (behind the Mercury) 8-5:30 Mon-Fri
Buy tickets at the box office from one hour prior to the advertised screening time.

 

MERCURY for hire

The Mercury and Iris Cinemas are available for hire. We offer highly competitive rates for your screening, conference, lecture or party. We can screen just about anything from 35mm CinemaScope to your Powerpoint or web based presentation. AND we can look after your catering and liquor requirements with the minimum of fuss!

sponsors

Government Sponsors

SAFC

ArtsSA

AFC

Sponsor

James Haselgrove Wines

SCREENINGS CINEMATHEQUE CINEMA HIRE ARCHIVE ABOUT US MRC

ELECTIVE AFFINITIES: THE FILMS OF LOUIS MALLE

27 April – 7 May

Spanning several decades and continents, the career of Louis Malle (1932–1995) is littered with awards, contradictions and controversy. Though initially associated with the French New Wave, Malle began to consciously distance himself via a public ambivalence towards the theoretical concerns of the group as well as a fierce ambition to stand out as the leading director of his day. This special season of imported 35mm prints courtesy of the Ministère des affaires étrangères showcases a director contentedly teetering on the divide between mainstream success and subversive mayhem.

 

LIFT TO THE SCAFFOLD || LACOMBE, LUCIEN
LE FEU FOLLET || AU REVOIR LES ENFANTS

 

7:30pm Monday 27 April

LIFT TO THE SCAFFOLD (PG) IMPORTED PRINT

Dir: Louis Malle France 1957 88mins 35mm
Malle’s suspenseful feature debut traps its players in a Hitchcockian labyrinth of modern technology and old-fashioned bad luck as a murderous pair of lovers are brought undone by a chain of events triggered by a elevator. Malle’s only true genre film is also a precursor of the explosion of New Wave films that followed soon after. A mournful jazz score by Miles Davis perfectly underlines the director’s bleak modernist vision. Stars Jeanne Moreau and Maurice Ronet.


7:30pm Thursday 30 April

LACOMBE, LUCIEN (M) IMPORTED PRINT

Dir: Louis Malle France/West Germany/Italy 1974 137mins 35mm
This brilliant, perceptive and moodily shot account of an opportunistic French peasant who joins the Gestapo during the German occupation was the first dramatic feature from France to air, without compromise, the thorny and deeply divisive issue of collaboration. Lucien is treated with cool objectivity, revealing the ultimate banality of his repellent actions, in this subtly complex tale of guilt, innocence and the amorality of power. Stars Pierre Blaise and Aurore Clément.


7:30pm Monday 4 May

AU REVOIR LES ENFANTS (PG) IMPORTED PRINT

Dir: Louis Malle France 1987 104mins 35mm
An emotional project very close to Malle’s heart and based on an incident from his own child­hood, this film reflects on the Holocaust through the expe­rience of two young boys attending a Roman Catholic boarding school during WWII. Julien is Catholic, while his new friend Bonnet is Jewish, secretly granted asylum from the Nazis by the school headmaster. Nuanced and emotionally devastating, this is widely considered to be the crowning achievement of Malle’s career.

Winner Golden Lion Venice Film Festival 1987.
Listed in 1001 Movies You Must See Before You Die

 

7:30pm Thursday 7 May

LE FEU FOLLET (18+) IMPORTED PRINT

Dir: Louis Malle France 1963 108mins 35mm
A bleak tale of an alcoholic determined to end his life, based on the novella by Pierre Drieu La Rochelle, who later killed himself in after collaborating with the Nazis. Discharged from a sanatorium, Alain visits his bourgeois friends in Paris to see if anything can dissuade him from his course. The stark cinema­tography, along with Erik Satie’s plaintive score, effectively evokes the protagonist’s emotional alienation. Stars Maurice Ronet and Jeanne Moreau.

Winner Special Jury Prize Venice Film Festival 1963.

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